Film
A film, also called a movie, motion picture, theatrical film, or photoplay, is a series of still images that, when shown on a screen, create the illusion of moving images. (See the glossary of motion picture terms.)
Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). See glossary of musical terminology.
Production
Production may be:
Screen
Screen or Screens may refer to:
Production
It makes unavoidably necessary an entirely new organization of society in which production is no longer directed by mutually competing individual industrialists but rather by the whole society operating according to a definite plan and taking account of the needs of all.
Friedrich Engels, Principles of Communism (1847)
Film
The mass is a matrix from which all traditional behavior toward works of art issues today in a new form. Quantity has been transmuted into quality. The greatly increased mass of participants has produced a change in the mode of participation.
Walter Benjamin, “The work of art in the age of mechanical reproduction,” Illuminations (1968), p. 239.
Music
A chord is by no means an agglomeration of intervals. It is a new unit which, although dependent on the formative power of the single interval, is felt as being self-existent and as giving to the constituent intervals meanings and functions which they otherwise would not have.
Paul Hindemith (1952: 72). A Composer's World. Cambridge, Mass.
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