Tübingen, Germany

General Rhetoric

Allgemeine Rhetorik

Bachelor's
Language: GermanStudies in German
Subject area: humanities
Qualification: Bachelor
Kind of studies: full-time studies
University website: www.uni-tuebingen.de
Rhetoric
Rhetoric is the art of discourse, wherein a writer or speaker strives to inform, persuade or motivate particular audiences in specific situations. It can also be in a visual form; as a subject of formal study and a productive civic practice, rhetoric has played a central role in the European tradition. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it "the faculty of observing in any given case the available means of persuasion." Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals, logos, pathos, and ethos. The five canons of rhetoric, which trace the traditional tasks in designing a persuasive speech, were first codified in classical Rome: invention, arrangement, style, memory, and delivery. Along with grammar and logic (or dialectic – see Martianus Capella), rhetoric is one of the three ancient arts of discourse.
Rhetoric
For rhetoric, he could not ope
His mouth, but out there flew a trope;
And when he happen'd to break off
I' th' middle of his speech, or cough,
H' had hard words,ready to show why,
And tell what rules he did it by;
Else, when with greatest art he spoke,
You'd think he talk'd like other folk,
For all a rhetorician's rules
Teach nothing but to name his tools.
Samuel Butler, Hudibras, Part I (1663–1664), Canto I, line 81
Rhetoric
Since we want not emancipation from impulse but clarification of impulse, the duty of rhetoric is to bring together action and understanding into a whole that is greater than scientific perception.
Richard Weaver, The Ethics of Rhetoric, “The Phaedrus and the Nature of Rhetoric,” p. 24. (1953)
Rhetoric
Rhetoric in its truest sense seeks to perfect men by showing them better versions of themselves, links in that chain extending up toward the ideal.
Richard Weaver, The Ethics of Rhetoric, “The Phaedrus and the Nature of Rhetoric,” p. 25. (1953)
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