London, United Kingdom

History of Art / Archaeology and Linguistics

Bachelor's
Language: EnglishStudies in English
Subject area: arts
Qualification: BA
Kind of studies: full-time studies
Bachelor of Arts (BA)
University website: www.soas.ac.uk
Archaeology
Archaeology, or archeology, is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. In North America, archaeology is considered a sub-field of anthropology, while in Europe archaeology is often viewed as either a discipline in its own right or a sub-field of other disciplines.
Art
Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.
History
History (from Greek ἱστορία, historia, meaning "inquiry, knowledge acquired by investigation") is the study of the past as it is described in written documents. Events occurring before written record are considered prehistory. It is an umbrella term that relates to past events as well as the memory, discovery, collection, organization, presentation, and interpretation of information about these events. Scholars who write about history are called historians.
Linguistics
Linguistics is the scientific study of language, and involves an analysis of language form, language meaning, and language in context. The earliest activities in the documentation and description of language have been attributed to the 6th century BC Indian grammarian Pāṇini, who wrote a formal description of the Sanskrit language in his Aṣṭādhyāyī.
Art
The function of the modern artist was not to convey beauty, but to convey new truths.
Eric Kandel, The Age of Insight (2012)
History
What really happens is that the author discards the human persona but replaces it by an ‘objective’ one; the authorial subject is as evident as ever, but it has become an objective subject … At the level of discourse objectivity, or the absence of any clues to the narrator, turns out to be particular form of fiction, where the historian tries to give the impression that the referent is speaking for itself.
Roland Barthes, ‘Le discours de l’histoire’ trans. as ‘Historical Discourse’ in M. Lane (ed.) Structuralism: A reader, London, Jonathan Cape, 1970, pp. 149–154.
History
The reign of Antoninus is marked by the rare advantage of furnishing very few materials for history, which is indeed little more than the register of the crimes, follies, and misfortunes of mankind.
Edward Gibbon, The History of the Decline and Fall of the Roman Empire, Ch. III (1776), Vol. 1, Ch. 3 "Of the Constitution of the Roman Empire, in the Age of the Antonines"
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